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Bear's Sonic Journals: At Carousel Ballroom, April 24, 1968 2LP Box

by Johnny Cash

Release Date: 14 January 2022

Format: LP Double Vinyl

Label: BMG Rights Management

£49.99

Johnny Cash Bear's Sonic Journals: At Carousel Ballroom, April 24, 1968 Limited Vinyl 2LP Box Set

Overview:

After a tumultuous 1967 for Johnny Cash, the year 1968 was bookended by what would become his two iconic, highest-grossing albums, At Folsom Prison and At San Quentin. But now, fifty-three years later, a lost chapter has emerged to enrich and complement the story of that very good year.

Johnny Cash – At the Carousel Ballroom, recorded on April 24, 1968, captures the Man in Black at the height of his charismatic powers. Confidently departing from the more formalized setlist he’d been doing, we hear him in playful and powerful dialogue with his new bride June Carter and his longtime musicians—guitarist Luther Perkins, bassist Marshall Grant and drummer W.S. Holland—connecting with an audience more accustomed to the Grateful Dead and Jefferson Airplane.

What makes the performance even more significant is that it was recorded by the innovative sound wizard Owsley “Bear” Stanley in a verité style that startles with a clarity and dimension missing from the two more well-known releases. In 1968, it was just another entry in Bear’s continuing “sonic journal” of recorded shows, a means to keep improving his art. But thirty years later, Stanley would recognize it as one of a handful of the most significant performances he’d captured.The Owsley Stanley Foundation presents Bear’s Sonic Journals:

Featuring more than an hour of live performances from April 24, 1968 at the Carousel Ballroom in San Francisco, CA.

Available as a Limited Edition Deluxe Box Set featuring: a vintage Johnny Cash Comic Book, colored vinyl, original concert poster and more.

Extensive liner notes include musings on Johnny Cash from contributors Bob Weir, John Carter Cash, and Dave Schools.

Original artwork by 3x Grammy-winner Susan Archie

Digital master by Jeffrey Norman, long-time collaborator with the Grateful Dead and Owsley Stanley. For vinyl, all analog master by Bear’s collaborator Paul Stubblebine.

“A masterpiece. Dad gave what I believe to be one of the most intimate and connected shows I have ever heard.” –John Carter Cash

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